{"id":3445,"date":"2019-05-20T13:33:53","date_gmt":"2019-05-20T11:33:53","guid":{"rendered":"http:\/\/kinoderkunst.de\/?p=3445"},"modified":"2019-05-20T13:33:53","modified_gmt":"2019-05-20T11:33:53","slug":"interlude-18-19-11","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/","title":{"rendered":"Interlude 18\/19"},"content":{"rendered":"

Utrecht, Caravaggio & Europa
\nFriedrich Wilhelm Murnau & Reynold Reynolds<\/strong><\/h3>\n
\"\u00a9
\u00a9 Reynold Reynolds ‘Die Verlorenen’ (2012)<\/figcaption><\/figure>\n

09\/06\/19 \u2014 11 a.m.
\nTheatiner Filmkunst<\/a><\/h3>\n

Murnau’s lasting black and white orgy from the shadow world ‘Nosferatu’, complemented by the homage to the silent film ‘The Lost’ by Reynold Reynolds, who lives in Amsterdam.
\nIntroduction: Patrick Kammann, Bavarian State Painting Collections, Munich
\n<\/strong><\/p>\n

Reynold Reynolds | THE LOST | DE 2012, 16 min<\/strong>
\nFriedrich Wilhelm Murnau | NOSFERATU | DE 1922, 94 min (German OV)
\nWith Max Schreck
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Utrecht, Caravaggio & Europa Friedrich Wilhelm Murnau & Reynold Reynolds 09\/06\/19 \u2014 11 a.m. Theatiner Filmkunst Murnau’s lasting black and white orgy from the shadow world ‘Nosferatu’, complemented by the homage to the silent film ‘The Lost’ by Reynold Reynolds, who lives in Amsterdam. Introduction: Patrick Kammann, Bavarian State Painting Collections, Munich Reynold Reynolds | […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,15],"tags":[121,20,128,129,117,120,63],"yoast_head":"\nInterlude 18\/19 – Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 18\/19\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 18\/19 – Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 18\/19\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-20T11:33:53+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/05\/reynold-reynolds-lost-arsenal-bialystok-2012-05-17-003-1024x819.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/05\/reynold-reynolds-lost-arsenal-bialystok-2012-05-17-003-1024x819.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/\",\"name\":\"Interlude 18\/19 – Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/#primaryimage\"},\"datePublished\":\"2019-05-20T11:33:53+00:00\",\"dateModified\":\"2019-05-20T11:33:53+00:00\",\"author\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\"},\"description\":\"Interlude 18\/19\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-11\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\",\"name\":\"bialas@kinoderkunst.de\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b389043f93bf30829683a3cb9f41d68e?s=96&d=mm&r=g\",\"caption\":\"bialas@kinoderkunst.de\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3445"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=3445"}],"version-history":[{"count":1,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3445\/revisions"}],"predecessor-version":[{"id":3446,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3445\/revisions\/3446"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=3445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/categories?post=3445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/tags?post=3445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}