{"id":3356,"date":"2019-02-21T15:59:16","date_gmt":"2019-02-21T14:59:16","guid":{"rendered":"http:\/\/kinoderkunst.de\/?p=3356"},"modified":"2019-02-21T15:59:16","modified_gmt":"2019-02-21T14:59:16","slug":"interlude-18-19-7","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/","title":{"rendered":"Interlude 18\/19"},"content":{"rendered":"

La Ferdinanda: Sonata for a Medici-Villa
\nRebecca Horn<\/h3>\n
\n
\"\u00a9
\u00a9 Rebecca Horn, La Ferdinanda, 1982 Courtesy by Rebecca Horn<\/figcaption><\/figure>\n<\/figure>\n

27\/02\/2019 | 9 p.m. | Introduction Franziska St\u00f6hr
\nFilmmuseum M\u00fcnchen<\/a> | Tickets 089 \/ 23 39 64 50<\/h3>\n

La Ferdinanda: Sonata for a Medici Villa<\/em> is staged in a grand Renaissance hunting seat. The setting serves as a haven for tranquil repose (for Caterina de Dominicis, former opera singer and owner of the villa), convalescence (for young ballet dancer Simona), hiding (for Dr. Marchetti, after a series of scandals), rehearsal (for the cello player) and celebration (for a wedding party). The villa is a symbol for hidden stories and faded glories, especially for its larger-than-life owner, who wishes to maintain an illusion of luxury and grandeur. In truth, the villa\u2019s residents are all living in a state of suspension or impotence: even the peacocks\u2019 plumage is not strikingly colourful but a ghostly white. (Source: Tate Modern)<\/p>\n

Rebecca Horn<\/b> (born 24 March 1944, Michelstadt, Hesse) is a German visual artist, who is best known for her installation art, film directing, and her body modifications such as Einhorn<\/i> (Unicorn), a body-suit with a very large horn projecting vertically from the headpiece. She directed the films Der Eint\u00e4nzer<\/i> (1978), La ferdinanda: Sonate f\u00fcr eine Medici-Villa<\/i> (1982) and Buster’s Bedroom<\/i> (1990). Horn presently lives and works in Paris and Berlin.<\/p>\n

La Ferdinanda: Sonata for a Medici-Villa <\/strong>| Federal Republic of Germany 1982 | D+Sc: Rebecca Horn | DOP: Jiri Kadanka | M: Ingfried Hoffmann | C: Valentina Cortese, Javier Escriba, Gisela Hahn, Hans-Peter Hallwachs, Michael Maisky, David Warrilow | 85 min<\/p>\n","protected":false},"excerpt":{"rendered":"

La Ferdinanda: Sonata for a Medici-Villa Rebecca Horn \u00a9 Rebecca Horn, La Ferdinanda, 1982 Courtesy by Rebecca Horn 27\/02\/2019 | 9 p.m. | Introduction Franziska St\u00f6hr Filmmuseum M\u00fcnchen | Tickets 089 \/ 23 39 64 50 La Ferdinanda: Sonata for a Medici Villa is staged in a grand Renaissance hunting seat. The setting serves as […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,15],"tags":[112,27,60,20,111,36,110],"yoast_head":"\nInterlude 18\/19 – Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 18\/19 Screening of La Ferdinanda: Sonata for a Medici Villa at KINO DER KUNST Interlude, 27\/02\/2019, Filmmuseum Munich\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 18\/19 – Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 18\/19 Screening of La Ferdinanda: Sonata for a Medici Villa at KINO DER KUNST Interlude, 27\/02\/2019, Filmmuseum Munich\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-21T14:59:16+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/01\/LF-Pfau-1024x604.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"1 minute\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/01\/LF-Pfau-1024x604.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/\",\"name\":\"Interlude 18\/19 – Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/#primaryimage\"},\"datePublished\":\"2019-02-21T14:59:16+00:00\",\"dateModified\":\"2019-02-21T14:59:16+00:00\",\"author\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\"},\"description\":\"Interlude 18\/19 Screening of La Ferdinanda: Sonata for a Medici Villa at KINO DER KUNST Interlude, 27\/02\/2019, Filmmuseum Munich\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-7\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\",\"name\":\"bialas@kinoderkunst.de\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b389043f93bf30829683a3cb9f41d68e?s=96&d=mm&r=g\",\"caption\":\"bialas@kinoderkunst.de\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3356"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=3356"}],"version-history":[{"count":1,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3356\/revisions"}],"predecessor-version":[{"id":3357,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3356\/revisions\/3357"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=3356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/categories?post=3356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/tags?post=3356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}