{"id":3342,"date":"2019-02-15T19:53:47","date_gmt":"2019-02-15T18:53:47","guid":{"rendered":"http:\/\/kinoderkunst.de\/?p=3342"},"modified":"2019-02-15T19:53:47","modified_gmt":"2019-02-15T18:53:47","slug":"interlude-18-19-6","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/","title":{"rendered":"Interlude 18\/19"},"content":{"rendered":"

Impressions de la Haute Mongolie (Impressions of Upper Mongolia)
\nSalvador Dal\u00ed<\/h3>\n
\n
\"\u00a9
\u00a9 Salvador Dal\u00ed, IMPRESSIONS DE LA HAUTE MONGOLIE, 1976 Courtesy by Jos\u00e9 Montes-Baquer<\/figcaption><\/figure>\n<\/figure>\n

20\/02\/2019 | 9\u00a0 pm | Attending Bodo Kessler | Introduction M+M
\nPreceded by UN CHIEN ANDALOU (An Andalusian Dog)
\nFilmmuseum M\u00fcnchen<\/a> | Tickets 089 \/ 23 39 64 50<\/h3>\n

A rare pearl of a very special kind presents the series “‘Cinema Dreams in Artists Cinema”: “Impressions of Upper Mongolia” has been conceived in 1976 by the surrealist and eccentric Salvador Dal\u00ed <\/strong>for the TV station WDR. It is about an imaginary trip in search of a hallified mushroom, told with a range of surrealistic video effects.
\nA special highlight of the evening organized by KINO DER KUNST: The Munich artist duo M+M<\/strong>, responsible for the introduction of the program, succeeded in locating the cameraman of the film realized jointly by Salvador Dal\u00ed<\/strong> and WDR director Jos\u00e9 Montes-Baquer<\/strong>. Bodo Kessler<\/strong>, who also worked with Rebecca Horn, Nam June Paik and Volker Schl\u00f6ndorff, tells the story of the genesis of the project, from the first meeting with Dal\u00ed and Frau Gala in New York to the shooting in her house in Cadaques, Spain.<\/p>\n

Impressions de la Haute Mongolie | BRD 1976 | D: Jos\u00e9 Montes-Baquer | B: Salvador Dal\u00ed | DOP: Bodo Kessler, Manfred Kage | M: Ingfried Hoffmann | 57 min | French OV with German subtitles
\n<\/strong>“Salvador Dal\u00ed and his fellow surrealists owed a great debt to the wealthy, dandyish French writer Raymond Roussel, as much as modernist poets owed the Symbolist Jules Laforgue. But like Laforgue, Roussel is much more often referenced than read, and he isn\u2019t referenced often. A hermetic, insular writer who seems to belong to a private world almost entirely his own, Roussel despaired of his lack of success and committed suicide in 1933. His aesthetic progeny, on the other hand\u2014 Dal\u00ed, Marcel Duchamp, Andr\u00e9 Breton\u2014were showmen, self-promoters and media geniuses. So it\u2019s particularly poignant, in the quirkiest of ways, that Dal\u00ed chose for his final film project a collaboration with Jose Montes Baquer in 1976 called “Impressions of Upper Mongolia” (\u201cImpressions de la haute Mongolie\u201d—above with English subtitles), an homage to Roussel\u2019s self-published 1910 novel Impressions of Africa.
\nRoussel, who traveled widely, never traveled to Africa, and his \u201cimpressions\u201d are wholly creations of the kind of wordplay that Dal\u00ed made visual in his painting (including a canvas with Roussel’s title). Like Roussel\u2019s novel, Impressions of Upper Mongolia is a surrealist fantasy with only the most tenuous connection to its ostensible geographical subject.” (openculture.com<\/a>)<\/p>\n

Preceded by:
\nUn Chien andalou |<\/strong> France 1929 | D: Luis Bu\u00f1uel | B: Luis Bu\u00f1uel, SalvadorDal\u00ed | DOP: Albert Duverger | C: Simone Mareuil, Pierre Batcheff, Luis Bu\u00f1uel, Salvador Dal\u00ed | 16 min | OV with Engl. Subtitles
\n“Un Chien Andalou<\/em> made quite the stir upon its release. It was presented first at an invitation only-session at the Studio des Ursulines art house on June 6, 1929. It had its public release at Montmartre\u2019s Studio 28 on October 1st. While not officially part of the Surrealist movement until after the film had shown, Dali and Bunuel\u2019s film was quickly adopted by the group as part of their aesthetic repertoire.” (wherethelongtailends.com<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Impressions de la Haute Mongolie (Impressions of Upper Mongolia) Salvador Dal\u00ed \u00a9 Salvador Dal\u00ed, IMPRESSIONS DE LA HAUTE MONGOLIE, 1976 Courtesy by Jos\u00e9 Montes-Baquer 20\/02\/2019 | 9\u00a0 pm | Attending Bodo Kessler | Introduction M+M Preceded by UN CHIEN ANDALOU (An Andalusian Dog) Filmmuseum M\u00fcnchen | Tickets 089 \/ 23 39 64 50 A rare […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,15],"tags":[109,60,20,65],"yoast_head":"\nInterlude 18\/19 – Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 18\/19\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 18\/19 – Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 18\/19\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-15T18:53:47+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/01\/impressionsdelahaute-1024x576.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"3 minutes\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2019\/01\/impressionsdelahaute-1024x576.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/\",\"name\":\"Interlude 18\/19 – Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/#primaryimage\"},\"datePublished\":\"2019-02-15T18:53:47+00:00\",\"dateModified\":\"2019-02-15T18:53:47+00:00\",\"author\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\"},\"description\":\"Interlude 18\/19\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/interlude-18-19-6\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\",\"name\":\"bialas@kinoderkunst.de\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b389043f93bf30829683a3cb9f41d68e?s=96&d=mm&r=g\",\"caption\":\"bialas@kinoderkunst.de\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3342"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=3342"}],"version-history":[{"count":1,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3342\/revisions"}],"predecessor-version":[{"id":3343,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/3342\/revisions\/3343"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=3342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/categories?post=3342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/tags?post=3342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}