{"id":2891,"date":"2018-10-10T09:08:27","date_gmt":"2018-10-10T07:08:27","guid":{"rendered":"http:\/\/kinoderkunst.de\/?p=2891"},"modified":"2018-10-10T13:50:42","modified_gmt":"2018-10-10T11:50:42","slug":"interlude-18-19","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/","title":{"rendered":"Interlude 18\/19"},"content":{"rendered":"<h3>ARTIST TALK<br \/>\nPHIL COLLINS<\/h3>\n<figure id=\"attachment_2883\" aria-describedby=\"caption-attachment-2883\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-full wp-image-2883\" src=\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/10\/1819ZwSp_PhilCollins_Delete-Beach-2200x1467.jpg\" alt=\"Phil Collins, Delete Beach, 2016 HD animation loop; colour, sound; 21 min. Rubber crumble, tyres, refuse, liquid pools, lights. Installation view, Phil Collins: Can\u2019t Do Right For Doing Wrong, HOME, Manchester, 2018. Photo: Lee Baxter. Courtesy Shady Lane Productions, Berlin.\" width=\"640\" height=\"427\" \/><figcaption id=\"caption-attachment-2883\" class=\"wp-caption-text\">Phil Collins, Delete Beach, 2016<br \/>HD animation loop; colour, sound; 21 min. Rubber crumble, tyres, refuse, liquid pools, lights.<br \/>Installation view, Phil Collins: Can\u2019t Do Right For Doing Wrong, HOME, Manchester, 2018.<br \/>Photo: Lee Baxter. Courtesy Shady Lane Productions, Berlin.<\/figcaption><\/figure>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>04\/12\/2018 \u2014 8 p.m.<br \/>\n<a href=\"http:\/\/kinoderkunst.de\/en\/service\/venues\/\">Harry Klein<\/a><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>British artist Phil Collins (born 1970) studies the nuances of social relationships in different locations and global communities in his films, installations, photographs and live events. With new forms of artist actions such as a disco marathon in Ramallah, satirical teleshopping events, karaoke performances \u201cMade in Japan\u201d or call-to-vinyl actions, Phil Collins is expanding his video art to cross genres and include performance, theatre and music production. His work completely redefines the term \u201cmultimedia\u201d.<br \/>\nThe professor of video art at the Kunsthochschule f\u00fcr Medien K\u00f6ln (Academy of Media Arts Cologne) was nominated for the Turner Prize, is a winner of the Paul Hamlyn Award for Visual Arts and received the Audience Award at KINO DER KUNST in 2015.<br \/>\nFor the &#8220;Zwischenspiel \/ Interlude&#8221;, Phil Collins at the \u201cHarry Klein\u201d club explores a space where \u2013 as in his art \u2013 dance, music and visuals coalesce into a unified emotional experience.<br \/>\n<strong>The talk is moderated by Heinz Peter Schwerfel (Artistic Director of KINO DER KUNST)<br \/>\nFree admission<br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTIST TALK PHIL COLLINS 04\/12\/2018 \u2014 8 p.m. Harry Klein British artist Phil Collins (born 1970) studies the nuances of social relationships in different locations and global communities in his films, installations, photographs and live events. With new forms of artist actions such as a disco marathon in Ramallah, satirical teleshopping events, karaoke performances \u201cMade [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,15],"tags":[30,31,20,22,86],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Interlude 18\/19 &ndash; Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 18\/19\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 18\/19 &ndash; Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 18\/19\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-10T07:08:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-10T11:50:42+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/10\/1819ZwSp_PhilCollins_Delete-Beach-2200x1467.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"1 minute\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/10\/1819ZwSp_PhilCollins_Delete-Beach-2200x1467.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/\",\"name\":\"Interlude 18\/19 &ndash; Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/#primaryimage\"},\"datePublished\":\"2018-10-10T07:08:27+00:00\",\"dateModified\":\"2018-10-10T11:50:42+00:00\",\"author\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\"},\"description\":\"Interlude 18\/19\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/interlude-18-19\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\",\"name\":\"bialas@kinoderkunst.de\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b389043f93bf30829683a3cb9f41d68e?s=96&d=mm&r=g\",\"caption\":\"bialas@kinoderkunst.de\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/2891"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=2891"}],"version-history":[{"count":4,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/2891\/revisions"}],"predecessor-version":[{"id":2913,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/2891\/revisions\/2913"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=2891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/categories?post=2891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/tags?post=2891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}