{"id":1886,"date":"2018-09-16T10:39:30","date_gmt":"2018-09-16T08:39:30","guid":{"rendered":"http:\/\/kinoderkunst.de\/dev\/?p=1886"},"modified":"2018-09-21T20:00:47","modified_gmt":"2018-09-21T18:00:47","slug":"interlude-16-17-highlights-13-15","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/","title":{"rendered":"Interlude 16\/17"},"content":{"rendered":"<h3>Highlights 13\/15<br \/>\n<strong>22\/03\/2017, 9.00 PM<br \/>\n<\/strong><strong>CITY KINO<\/strong><\/h3>\n<h3><strong>Jochen Kuhn<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2396\" aria-describedby=\"caption-attachment-2396\" style=\"width: 5282px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-2396 size-full\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3.jpg\" alt=\"Jochen Kuhn, \u201eSonntag 3\u201c, 2012, 14 Min.\" width=\"5282\" height=\"2953\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3.jpg 5282w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3-300x168.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3-768x429.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3-1024x572.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3-179x100.jpg 179w\" sizes=\"(max-width: 5282px) 100vw, 5282px\" \/><figcaption id=\"caption-attachment-2396\" class=\"wp-caption-text\">Jochen Kuhn, \u201eSonntag 3\u201c, 2012, 14 Min.<\/figcaption><\/figure>\n<h3><strong>Sonntag 3<\/strong><\/h3>\n<p>The third part of a series of films about Sunday outings. In Sonntag 3 the main character has a blind date with an suprisingly well known woman at the Grand Caf\u00e9 in Berlin.<\/p>\n<h3><strong><br \/>\nAlmagul Menlibayeva<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2394\" aria-describedby=\"caption-attachment-2394\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-full wp-image-2394\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-2200x1238.jpg\" alt=\"Almagul Menlibayeva, \u201eTransoxiana Dreams\u201c, 2011, HD, 23\u2019, Courtesy Priska C. Juschka Fine Art, New York\" width=\"640\" height=\"360\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-2200x1238.jpg 2200w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-300x169.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-768x432.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-1024x576.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Almagul-Menlibayeva_Transoxiana-Dreams-178x100.jpg 178w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-2394\" class=\"wp-caption-text\">Almagul Menlibayeva, \u201eTransoxiana Dreams\u201c, 2011, HD, 23\u2019, Courtesy Priska C. Juschka Fine Art, New York<\/figcaption><\/figure>\n<h3><strong>Transoxiana Dreams<\/strong><\/h3>\n<p class=\"image\">As seen through the eyes of a fisherman\u2019s young daughter, the film illustrates the dramatic environmental changes in the Aral region where bizarre creatures, half horse, half human, are suddenly romping around. A tribute to the nomadic past of its people.<br \/>\n<a href=\"http:\/\/kinoderkunst.de\/en\/archives\/kdk-13\/awards-2013\/\">KINO DER KUNST Main Award 2013<\/a><\/p>\n<h3><strong><br \/>\nTill Nowak<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2284\" aria-describedby=\"caption-attachment-2284\" style=\"width: 1280px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-2284 size-full\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project.jpg\" alt=\"Till Nowak, \u201eThe Centrifuge Brain Project\u201c, 2011, HD, 6 Min. 35 Sek.\" width=\"1280\" height=\"960\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project.jpg 1280w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project-300x225.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project-768x576.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project-1024x768.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Till-Nowak_Centrifuge-Brain-Project-133x100.jpg 133w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-2284\" class=\"wp-caption-text\">Till Nowak, \u201eThe Centrifuge Brain Project\u201c, 2011, HD, 6 Min. 35 Sek.<\/figcaption><\/figure>\n<h3><strong>The Centrifuge Brain Project<\/strong><\/h3>\n<p>Since the 1970s, scientists have been conducting research to study the effects of amusement park rides on the human brain. Adapting the aesthetics of a television documentary, this film takes a tongue-in-cheek look at humanity\u2019s confusing search for bigger, better, faster and higher ways to happiness.<br \/>\n<a href=\"http:\/\/kinoderkunst.de\/en\/archives\/kdk-13\/awards-2013\/\">KINO DER KUNST 2nd Main Award 2013<\/a><\/p>\n<h3><strong><br \/>\nPierre Huyghe<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2402\" aria-describedby=\"caption-attachment-2402\" style=\"width: 2362px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-2402 size-full\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris..jpg\" alt=\"Pierre Huyghe, \u201eUntitled (Human Mask)\u201c, FRA 2014, 19\u2019, Courtesy of the artist and Marian Goodman Gallery, New York; Hauser &amp; Wirth, London; Esther Schipper, Berlin; Anna Lena Film, Paris.\" width=\"2362\" height=\"885\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris..jpg 2362w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris.-300x112.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris.-768x288.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris.-1024x384.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/Pierre-Huyghe-\u201eUntitled-Human-Mask\u201c-FRA-2014-19\u2019-Courtesy-of-the-artist-and-Marian-Goodman-Gallery-New-York-Hauser-Wirth-London-Esther-Schipper-Berlin-Anna-Lena-Film-Paris.-267x100.jpg 267w\" sizes=\"(max-width: 2362px) 100vw, 2362px\" \/><figcaption id=\"caption-attachment-2402\" class=\"wp-caption-text\">Pierre Huyghe, \u201eUntitled (Human Mask)\u201c, FRA 2014, 19\u2019, Courtesy of the artist and Marian Goodman Gallery, New York; Hauser &amp; Wirth, London; Esther Schipper, Berlin; Anna Lena Film, Paris.<\/figcaption><\/figure>\n<h3><strong>Untitled [Human Mask]<\/strong><\/h3>\n<p>La Condition Humaine: Pictures of a deserted Fukushima after the 2011 tsunami. Then, a monkey educated in Japan as a server is wearing the mask of a woman and waiting on tables in an empty restaurant&#8230;<br \/>\n<a href=\"http:\/\/kinoderkunst.de\/en\/archives\/kdk-15\/awards-2015\/\">KINO DER KUNST Main Award 2015<\/a><\/p>\n<h3><strong><br \/>\nHu Wei<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2400\" aria-describedby=\"caption-attachment-2400\" style=\"width: 3543px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-2400 size-full\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp.jpg\" alt=\"Hu Wei, \u201eButter Lamp\u201c, FRA\/CHN 2013, 16\u2019\" width=\"3543\" height=\"1989\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp.jpg 3543w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp-300x168.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp-768x431.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp-1024x575.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Hu-Wei_Butter-lamp-178x100.jpg 178w\" sizes=\"(max-width: 3543px) 100vw, 3543px\" \/><figcaption id=\"caption-attachment-2400\" class=\"wp-caption-text\">Hu Wei, \u201eButter Lamp\u201c, FRA\/CHN 2013, 16\u2019<\/figcaption><\/figure>\n<h3><strong>Butter Lamp<\/strong><\/h3>\n<p>In their studio, a young photographer and his assistant photograph group shots of Tibetan nomad families in front of various backdrops. Personal contacts between the photographer and his subjects develop more and more.<br \/>\n<a href=\"http:\/\/kinoderkunst.de\/en\/archives\/kdk-15\/awards-2015\/\">KINO DER KUNST 2nd Main Award 2015<\/a><\/p>\n<h3><strong><br \/>\nBj\u00f8rn Melhus<br \/>\n<\/strong><\/h3>\n<figure id=\"attachment_2398\" aria-describedby=\"caption-attachment-2398\" style=\"width: 1772px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"wp-image-2398 size-full\" src=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence.jpg\" alt=\"Bj\u00f8rn Melhus, \u201eFreedom &amp;amp; Independence\u201c, DEU 2014, 15\u2019, Limboland Productions, Berlin\" width=\"1772\" height=\"1181\" srcset=\"https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence.jpg 1772w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence-300x200.jpg 300w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence-768x512.jpg 768w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence-1024x682.jpg 1024w, https:\/\/kinoderkunst.de\/wp-content\/uploads\/2018\/09\/KdK-2015_IW_Bjo\u0303rn-Melhus_Freedom-Independence-150x100.jpg 150w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/><figcaption id=\"caption-attachment-2398\" class=\"wp-caption-text\">Bj\u00f8rn Melhus, \u201eFreedom &amp; Independence\u201c, DEU 2014, 15\u2019, Limboland Productions, Berlin<\/figcaption><\/figure>\n<h3><strong>Freedom &amp; Independence<\/strong><\/h3>\n<p>Money and faith, religion and capitalism, the bold of theses of the self-proclaimed inventor of American Objectivism, Ayn Rand, and the half-baked sermons of today\u2019s cult gurus. A mix of musical and science fiction, elaborately filmed in Istanbul model settlements and a Berlin morgue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Highlights 13\/15 22\/03\/2017, 9.00 PM CITY KINO Jochen Kuhn Sonntag 3 The third part of a series of films about Sunday outings. In Sonntag 3 the main character has a blind date with an suprisingly well known woman at the Grand Caf\u00e9 in Berlin. Almagul Menlibayeva Transoxiana Dreams As seen through the eyes of a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[55,57,48,52,26,39,34,37,24,23,27,38,56,31,33,20,32,35,36,22],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Interlude 16\/17 &ndash; Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 16\/17\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 16\/17 &ndash; Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 16\/17\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-16T08:39:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-09-21T18:00:47+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"2 minutes\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KdK-2013_IW_Jochen-Kuhn_Sonntag-3.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-highlights-13-15\/\",\"name\":\"Interlude 16\/17 &ndash; 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