{"id":1873,"date":"2018-09-16T10:21:22","date_gmt":"2018-09-16T08:21:22","guid":{"rendered":"http:\/\/kinoderkunst.de\/dev\/?p=1873"},"modified":"2018-09-21T20:09:04","modified_gmt":"2018-09-21T18:09:04","slug":"interlude-16-17-panel-discussion","status":"publish","type":"post","link":"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/","title":{"rendered":"Interlude 16\/17"},"content":{"rendered":"

PANEL
\nReality, realism, authenticity
\nStrategies of cinematic representation in art and documentary film<\/h3>\n
\"Christoph
Christoph Faulhaber, 2015, Foto: \u00a9 Katharina B\u00fchler<\/figcaption><\/figure>\n

10\/11\/2016, 19.00
\nACADEMY OF FINE ARTS, MUNICH<\/strong><\/h3>\n

How does an artistic documentary film differ from a documentary artist’s film? What does media authenticity mean and how can it be achieved? How can audiences distinguish between authenticity and lack of authenticity?
\nNo discipline other than film has come so far in depicting a supposed reality. But while in a documentary film, the relationship to reality is seemingly obvious and viewers assume that the depicted events have actually occurred, art likes to leave things unclear.<\/p>\n

<\/p>\n

In this panel discussion, filmmaker Andres Veiel, media artist Christoph Faulhaber, the artistic director of KINO DER KUNST Heinz Peter Schwerfel and the director of the International Documentary Film Festival Munich Daniel Sponsel will discuss the different strategies for dealing with reality, both in front of and behind the camera.
\nModeration: Nan Mellinger<\/p>\n","protected":false},"excerpt":{"rendered":"

PANEL Reality, realism, authenticity Strategies of cinematic representation in art and documentary film 10\/11\/2016, 19.00 ACADEMY OF FINE ARTS, MUNICH How does an artistic documentary film differ from a documentary artist’s film? What does media authenticity mean and how can it be achieved? How can audiences distinguish between authenticity and lack of authenticity? No discipline […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[26,39,34,37,27,38,31,33,32,35,36,54],"yoast_head":"\nInterlude 16\/17 – Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Interlude 16\/17\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interlude 16\/17 – Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Interlude 16\/17\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-16T08:21:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-09-21T18:09:04+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KDK-2017_Faulhaber-Christoph_Jedes-Bild-ist-ein-leeres-Bild_2014_Still2.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"1 minute\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/kinoderkunst.de\/dev\/wp-content\/uploads\/2018\/09\/KDK-2017_Faulhaber-Christoph_Jedes-Bild-ist-ein-leeres-Bild_2014_Still2.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/\",\"name\":\"Interlude 16\/17 – Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/#primaryimage\"},\"datePublished\":\"2018-09-16T08:21:22+00:00\",\"dateModified\":\"2018-09-21T18:09:04+00:00\",\"author\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\"},\"description\":\"Interlude 16\/17\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/interlude-16-17-panel-discussion\/\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#\/schema\/person\/b763d3ee3138538d007d1af595cada1b\",\"name\":\"bialas@kinoderkunst.de\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b389043f93bf30829683a3cb9f41d68e?s=96&d=mm&r=g\",\"caption\":\"bialas@kinoderkunst.de\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/1873"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=1873"}],"version-history":[{"count":12,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/1873\/revisions"}],"predecessor-version":[{"id":2716,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/posts\/1873\/revisions\/2716"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=1873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/categories?post=1873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/tags?post=1873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}