{"id":796,"date":"2018-08-26T16:11:32","date_gmt":"2018-08-26T14:11:32","guid":{"rendered":"http:\/\/kinoderkunst.de\/dev\/?page_id=796"},"modified":"2018-09-21T19:42:09","modified_gmt":"2018-09-21T17:42:09","slug":"hommage","status":"publish","type":"page","link":"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/","title":{"rendered":"Homage"},"content":{"rendered":"

B\u00e9la Tarr<\/h3>\n

\u201cI still consider film not as show business, but as the seventh art. I have never been interested in stories because the story is forever the same. Just read the Old Testament; it\u2019s all in there. We don\u2019t need to tell any new stories, since we always end up telling the same old story.\u201d (B\u00e9la Tarr)<\/p><\/blockquote>\n

Each earlier edition of KINO DER KUNST stressed the idea of juries with well-known and important personalities from the art and cinema world, such as the actresses Amira Casar <\/strong>and Nina Hoss<\/strong> or artists such as Yang Fudong<\/strong>, Isaac Julien<\/strong> or Cindy Sherman<\/strong>, and in 2017 Hollywood’s legendary DoP Ed Lachman<\/strong>. For the edition 2019, a very rare and important cinema personnality has accepted to preside the jury: the often-awarded Hungarian B\u00e9la Tarr<\/strong>, one of the most admired and influential directors of the last thirty years.<\/p>\n

Selection of Movies<\/strong><\/h3>\n

Karhozat <\/strong>(Damnation) (1988)
\nSatantango <\/strong>(1994)
\nThe Werckmeister Harmonies<\/strong> (2000)
\nL’Homme de Londres<\/strong> (2007)
\nThe Turin Horse<\/strong> (2011)<\/p>\n

“B\u00e9la Tarr was sixteen when he started to make films, chiefly naturalistic and committed social dramas and documentaries. After his studies at the film academy in Budapest, he developed a distinctive and influential style. Since ‘Damnation’<\/em> (1988), Tarr\u2019s films have been characterized by long takes and little montage, mostly shot in breath-taking black and white. Tarr presents his audience with an existence stripped of all trimmings and invites them to feel compassion. His way of working, in particular the exceptionally long shots, pushes the narrative into the background as it were. His later films are highly contemplative in character.” (Eye Filmmuseum, Amsterdam)<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

B\u00e9la Tarr \u201cI still consider film not as show business, but as the seventh art. I have never been interested in stories because the story is forever the same. Just read the Old Testament; it\u2019s all in there. We don\u2019t need to tell any new stories, since we always end up telling the same old […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":298,"menu_order":47,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nHomage – Kino der Kunst<\/title>\n<meta name=\"description\" content=\"Hommage to B\u00e9la Tarr at the 4th edition of KINO DER KUNST 2019\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homage – Kino der Kunst\" \/>\n<meta property=\"og:description\" content=\"Hommage to B\u00e9la Tarr at the 4th edition of KINO DER KUNST 2019\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/\" \/>\n<meta property=\"og:site_name\" content=\"Kino der Kunst\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/KinoderKunst\/\" \/>\n<meta property=\"article:modified_time\" content=\"2018-09-21T17:42:09+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@kinoderkunst\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"1 minute\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\",\"url\":\"https:\/\/kinoderkunst.de\/de\/\",\"name\":\"Kino der Kunst\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/kinoderkunst.de\/de\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/#webpage\",\"url\":\"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/\",\"name\":\"Homage – Kino der Kunst\",\"isPartOf\":{\"@id\":\"https:\/\/kinoderkunst.de\/de\/#website\"},\"datePublished\":\"2018-08-26T14:11:32+00:00\",\"dateModified\":\"2018-09-21T17:42:09+00:00\",\"description\":\"Hommage to B\\u00e9la Tarr at the 4th edition of KINO DER KUNST 2019\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kinoderkunst.de\/en\/screening-overview\/hommage\/\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/pages\/796"}],"collection":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/comments?post=796"}],"version-history":[{"count":6,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/pages\/796\/revisions"}],"predecessor-version":[{"id":2691,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/pages\/796\/revisions\/2691"}],"up":[{"embeddable":true,"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/pages\/298"}],"wp:attachment":[{"href":"https:\/\/kinoderkunst.de\/en\/wp-json\/wp\/v2\/media?parent=796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}