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<oembed><version>1.0</version><provider_name>Kino der Kunst</provider_name><provider_url>https://kinoderkunst.de/en/</provider_url><author_name>hello@johangiraud.com</author_name><author_url>https://kinoderkunst.de/en/author/hellojohangiraud-com/</author_url><title>Theme &ndash; Kino der Kunst</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://kinoderkunst.de/en/theme/"&gt;Theme&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://kinoderkunst.de/en/theme/embed/" width="600" height="338" title="&#x201C;Theme&#x201D; &#x2014; Kino der Kunst" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>FORBIDDEN BEAUTY &#x2013; VERBOTENE SCH&#xD6;NHEIT Why is the concept of beauty so frowned upon in contemporary art? Is it afraid of that beautiful appearance that conceals problems but cannot seriously address them? The catchword of the moment is an allegedly necessary &#x201C;aesthetic correctness&#x201D; of well-meant political concerns. However, the political can also be negotiated aesthetically, [&hellip;]</description></oembed>
