News

Call for Entry – Late deadline

We now announce the late submission deadline of December 15, 2018. Until then you still can enter your artistic moving image work via reelport (register as a filmmaker) for the highly endowed KINO DER KUNST awards 2019. Kindly mind our regulations.

Visual artists from all over the world are invited to submit their recent works to the International Competition that reflect this year’s topic “Forbidden Beauty”. All entries must reveal an innovative approach to the various forms of cinematographic narration and demonstrate a high technical level. The films must have been produced after January 1, 2017.
Only single-channel narrative works by visual artists will be accepted, but they can be of any length or format.
We are looking forward to your entries!

Exhibition 19

M+

M+, Westkwoloon, Hongkong, Herzog / de Meuron ©westkowloon.hk/en/mplus
M+, West Kowloon Cultural District, Hong Kong. © Herzog & de Meuron

KINO DER KUNST 2019 presents a selection of moving image works from the M+ Collections. The Munich exhibition Forbidden Beauty will have a special focus on work by young artists from across Asia.

M+ is a museum dedicated to collecting, exhibiting, and interpreting visual art, design and architecture, moving image, and Hong Kong visual culture of the twentieth and twenty-first centuries. Located in Hong Kong’s West Kowloon Cultural District, M+ is being built as one of the largest museums of modern and contemporary visual culture in the world, with a bold ambition to become one of the world’s leading cultural institutions.

Interlude 18/19

ARTIST TALK
PHIL COLLINS

Phil Collins, Delete Beach, 2016 HD animation loop; colour, sound; 21 min. Rubber crumble, tyres, refuse, liquid pools, lights. Installation view, Phil Collins: Can’t Do Right For Doing Wrong, HOME, Manchester, 2018. Photo: Lee Baxter. Courtesy Shady Lane Productions, Berlin.
Phil Collins, Delete Beach, 2016
HD animation loop; colour, sound; 21 min. Rubber crumble, tyres, refuse, liquid pools, lights.
Installation view, Phil Collins: Can’t Do Right For Doing Wrong, HOME, Manchester, 2018.
Photo: Lee Baxter. Courtesy Shady Lane Productions, Berlin.

04/12/2018 — 8 p.m.
Harry Klein

British artist Phil Collins (born 1970) studies the nuances of social relationships in different locations and global communities in his films, installations, photographs and live events. With new forms of artist actions such as a disco marathon in Ramallah, satirical teleshopping events, karaoke performances “Made in Japan” or call-to-vinyl actions, Phil Collins is expanding his video art to cross genres and include performance, theatre and music production. His work completely redefines the term “multimedia”.
The professor of video art at the Kunsthochschule für Medien Köln (Academy of Media Arts Cologne) was nominated for the Turner Prize, is a winner of the Paul Hamlyn Award for Visual Arts and received the Audience Award at KINO DER KUNST in 2015.
For the “Zwischenspiel / Interlude”, Phil Collins at the “Harry Klein” club explores a space where – as in his art – dance, music and visuals coalesce into a unified emotional experience.
The talk is moderated by Heinz Peter Schwerfel (Artistic Director of KINO DER KUNST)
Free admission

INTERLUDE 18/19

ARTIST TALK
MARK LEWIS

©Mark Lewis_Museum (2018) Film Still
©Mark Lewis_Museum (2018) Film Still

24/10/18, 7 p.m.
Kunstverein Munich

Born 1958 in Ontario, Canada, the photographer and filmmaker lives today in London and mostly works in a crossover of abstract analysis, the tradition of experimental film and the emotional perception of landscape or architecture.
Much of his work focuses on style and technology of film, for instance on the complex narration of long tracking shots. His films are nearly always short, precise exercises on particular techniques of filmmaking and spatial perception, they particularly tend to look at contemporary cities, film history, and the way film has impacted ideas about everyday life. Mark Lewis had many solo shows in important museums around the world and represented in 2009 Canada at the Venice Biennale.
Website Mark Lewis
Talk in English. Moderated by Heinz Peter Schwerfel (Artistic Director of KINO DER KUNST)
Free admission

ON TOUR 18

Istanbul
DIRIMART DOLAPDERE

AES+F, Inverso Mundus, Still #1-05, 2015 © AES+F I ARS New York. Courtesy of the artists, MAMM and Triumph Gallery
AES+F, Inverso Mundus, Still #1-05, 2015 © AES+F I ARS New York. Courtesy of the artists, MAMM and Triumph Gallery

20/07 – 29/07/18

Dirimart: KINO DER KUNST

In Cinemas 18

SHIRIN NESHAT
LOOKING FOR OUM KULTHUM

Traumsequenz: Mitra (Neda Rahmanian) steht mit Oum Kulthum (Najia Skalli) am Geländer und schaut auf das Meer ©RazorFilm
Dream sequence: Mitra (Neda Rahmanian) and Oum Kulthum (Najia Skalli) standing at the handrail and watching the ocean © RazorFilm

10/06/18, 11.00
City Kino
Discussion with Shirin Neshat after the screening

The Egyptian singer Oum Kulthum (1900 to 1975) is still celebrated worldwide as the “Callas of the Orient”, as a timelessly outstanding artist with an extraordinary voice and unforgettable musical intensity. Often forgotten is that Oum Kulthum lived during a politically dramatic era in Egypt – she was and remains a legendary woman for the male-dominated Islamic world.

Read more

It was only a question of time until her life and music would become a topic for the Iran-born Shirin Neshat, one of the most important contemporary artists, who was last year’s winner of the world’s most significant art prize, the Praemium Imperiale. In her photos, video installations and films, Neshat – whose works are regularly presented at KINO DER KUNST in Munich – often addresses the solitude of the Muslim woman in a world dominated by men. But instead of simply filming another biopic à la Hollywood and dutifully retelling the life of the famous Egyptian, Neshat introduces autobiographical details and the stylistic concepts of her own art. Oum Kulthum’s life and work become a cinematic artwork that – apart from all chaotic historical and present events – celebrates the strength of a woman and artist in the Islamic world.

Filmed in today’s Morocco, the script by Shirin Neshat and her partner and long-term accomplice Shoja Azari narrates a story within a story, i.e. the attempts by an alter ego of the artist – constantly shaken by doubt and drama – to film Oum Kulthum’s life. Stylistically, however, the film particularly emphasizes the singing and stage presence of the musician, just as it accounts for the videos of the New York-based artist. These include silent dream sequences, sophisticated choreography in the presence of the protagonists, an absence of all psychological simplification, and the beauty of the images and tracking shots typical for Neshat.

An event from NFP marketing & distribution in cooperation with KINO DER KUNST.